Monthly Archives: February 2016

AUDITIONS for our 9th Annual Shakespeare in the Park!

Announcing auditions for our 9th annual Shakespeare in the Park….

MidsummerNight

 

A Midsummer Night's Dream
Directed by Chris McCartie

Auditions will be held at
Peterborough Town Library

on 

May 1 from 3 PM-5 PM 
May 3 from 7:30 PM-9:30 PM

Performances will be held on
August 6, 7, 13, 14 2016

This audition is for all roles. Stay tuned for audition sides, audition sheet, and further information that will be right here in the coming weeks!

Read the script online for free at OPEN SOURCE SHAKESPEARE

Watch the last four Shakespeare in the Park Performances by clicking "watch" above!

Watch Love’s Labour’s Lost on our YouTube Channel Today!

Missed our Shakespeare in the Park production this year? Want to forget about the bleak winter and warm up in the sunny park? Want to relive the great time you had this summer and share it with family and friends?

Have no fear! The film of our August 2 performance has been uploaded to the ACT YouTube Channel, and is available for streaming and sharing right now! After this post, access to this video and all of the others are available on the YouTube Channel, and by clicking "Watch!" on the navigation menu above.

Details about our 2016 Shakespeare in the Park production, A Midsummer Night's Dream will be available soon!

Actors' Circle Theatre Presents

Shakespeare in the Park 2015

Love's Labour's Lost

Filmed Live in HD at Depot Square Park in Peterborough New Hampshire

August 2, 2015



Shakespeare in the Park 2015! Love's Labour's Lost was our Eighth Annual Shakespeare in the Park production, directed by long time ACT member Wendy Almeida. Almeida is bringing her years of stage experience to this new, rollicking production performed at Depot Square Park the first two weekends of August 2015. Our communal summer of love was on August 1, 2, 8, and 9 at 5:00 PM, and audiences brought their electric kool-aid, picnics, and friends to our Shakespearean Be-In. 



Let us entertain you on YouTube while you let your freak-flag fly, baby.



Directed by Wendy Almeida

Produced by Rob Koch and Mia Moravis

Film Production by David Teubner

Sets by Chris McCartie



Video Post-Production, Web, Social Media

and Graphic Design by

Perpetual Imagination

http://www.perpetualimagination.com





CAST



Princess of France – Clare Margand

Rosaline – Heather McCormack

Katherine – Eve Pierce

Maria – Ruth Linehan

Jaquenetta, the Wench – Heather Morrison

Ferdinand, King of Navarre – Garrett Zecker

Biron – Kevin Colarusso

Longaville – Eric Jedd

Dumaine – Jason Barshevsky

Don Adriano de Armado – Bert Torsey

Costard, the Swain – Tyler Strickland

Boyet – Gregory Pratt

Dull, the Constable – Emma Keating

Sir Nathaniel, the Curate – Rob Koch

Holofernes, the Pedant – Ben Wise

Forester & Mercade, the Messenger –

Henry "Hank" Parkhurst

Moth – Breanne Swanson



Music Provided By The Youtube Music Library

"Mellow Hipster" by Doug Maxwell

"Orange Blanket" by Jungle Punks

"Strange Precedent" by Silent Partner

"Without A Sound" by Letter Box

Licensed for Free Use Without Restriction



Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. It follows the King of Navarre and his three companions as they attempt to forswear the company of women for three years of study and fasting, and their subsequent infatuation with the Princess of Aquitaine and her ladies. In an untraditional ending for a comedy, the play closes with the death of the Princess's father, and all weddings are delayed for a year. The play draws on themes of masculine love and desire, reckoning and rationalization, and reality versus fantasy.



Though first published in quarto in 1598, the play's title page suggests a revision of an earlier version of the play. While there are no obvious sources for the play's plot, the four main characters are loosely based on historical figures. The use of apostrophes in the play's title varies in early editions, though it is most commonly given as Love's Labour's Lost.



The historical personages portrayed and the political situation in Europe relating to the setting and action of the play were familiar to Shakespeare's audiences. Scholars suggest that the play lost popularity as these historical and political portrayals of Navarre's court became dated and less accessible to theatergoers of later generations. The play's sophisticated wordplay, pedantic humour and dated literary allusions may also be reasons for its relative obscurity, as compared with Shakespeare's more popular works. Love's Labour's Lost was staged rarely in the 19th century, but it has been seen more often in the 20th and 21st centuries, with productions by both the Royal Shakespeare Company and the National Theatre, among others. It has also been adapted as a musical, an opera, for radio and television and as a musical film.



Love's Labour's Lost features the longest scene (5.2), the longest single word (5.1.30), and (depending on editorial choices) the longest speech (4.2.284-361) in all of Shakespeare's plays.